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Download lagu india film mann MP3 (100 files) [ - PAGE: 1 - NEXT ›]. Mann (HD & Eng Subs)Hindi Full Movie - Aamir Khan, Manisha Koirala, Anil Kapoor - 90's Romantic Film. Duration: 2:53:14 Size: 237.9 MB. Fast Download.
Mann | |
---|---|
Directed by | Indra Kumar |
Produced by | Indra Kumar Ashok Thakeria |
Screenplay by | Aatish Kapadia |
Based on | An Affair to Remember (1957) |
Starring | Aamir Khan Manisha Koirala Sharmila Tagore Neeraj Vora Anil Kapoor |
Music by | Sanjeev Darshan |
Cinematography | Basha Lal |
Edited by | Hussain Burmawala |
Production company | |
Distributed by | Yash Raj Films |
Release date | |
Running time | 160 minutes |
Country | India |
Language | Hindi |
Budget | ₹140 million (US$2.0 million)[1] |
Box office | ₹354.56 million (US$5.1 million)[2] |
Mann (lit. Mind) is a 1999 Indian Hindi-languageromantic drama film directed by Indra Kumar. The film stars popular actors Aamir Khan, Manisha Koirala and Anil Kapoor. Rani Mukerji also makes a special appearance in the movie. This is Aamir and Manisha's second movie together after Akele Hum Akele Tum. The film was remade in the same year in Telugu, titled Ravoyi Chandamama, starring Akkineni Nagarjuna, Anjala Zhaveri, Keerthi Reddy and Jagapati Babu.
The movie is a remake of the old classic Bheegi Raat (1965), starring Ashok Kumar, Meena Kumari and Pradeep Kumar, which itself was a remake of 1957 American movie An Affair to Remember. An Affair to Remember itself was a remake of older film Love Affair (1939).
- 4Soundtrack
Plot[edit]
Dev Karan Singh (Aamir Khan), a Casanova and ambitious painter deep in debt, agrees to marry Anita (Deepti Bhatnagar), the daughter of Singhania (Dalip Tahil), a rich tycoon. Priya (Manisha Koirala), a music teacher for children, is engaged to Raj (Anil Kapoor), whom she has agreed to marry because he had helped her when she was in need. Priya and Dev meet on a cruise. Dev becomes fond of Priya. Dev is a fun loving and mischievous person. He tries to get close to Priya. Initially, She doesn't get impressed by Dev, but later falls in love with him. However, due to them already being engaged to other people, they agree to work everything out and meet in 6 months on Valentine's Day to get married.
During the 6 months, Dev breaks off his engagement with Anita and starts working hard. Driven by his love, he creates and auctions beautiful paintings, and becomes very successful. On the other hand, Priya realises that leaving Raj will be wrong and sadly writes a letter to Dev, explaining everything. When Raj gets the letter instead, he supports Priya and convinces her to go to Dev. Things take a bad turn when, on her way to meet him, Priya gets hit by a car and gets her legs amputated. Dev, who waited all night for Priya, believes she has rejected him, as he does not know of her accident. Priya forbids Raj from telling Dev, not wanting to become a burden on him. However, both Dev and Priya still love and long for each other.
Though heartbroken, Dev continues his career and goes on to become a famous painter. One day, Priya attends his art exhibition and wishes to buy a painting of his, a sentimental picture of her speaking to his beloved grandmother, whom Dev had introduced to her during the cruise. Dev had said that he would not sell the painting as it was only for Priya, but upon hearing that the girl who wanted it understands the emotion behind the picture and is disabled, he tells the host of the exhibition to give the painting to her for free.
One day, he visits Priya to give her an anklet that his grandmother, who recently died, had wished for Priya to have when she became Dev's bride. Initially unaware of Priya's condition, Dev realises the truth when he sees the painting in another room. The two embrace tearfully and he assures Priya that he will love her no matter what. Dev and Priya then get married and live happily ever after.
Cast[edit]
- Aamir Khan as Dev Karan Singh
- Anil Kapoor as Raj
- Manisha Koirala as Priya Verma
- Sharmila Tagore as Dev's grandmother
- Deepti Bhatnagar as Anita Singhania
- Dalip Tahil as Pratap Rai Singhania
- Shama Sikander[3] as Kamini
- Neeraj Vora as Nattu
- Satyen Kappu as Raj's uncle
- Anant Mahadevan as Creditor
- Ketki Dave .. as Madhu, Priya's friend (special appearance)
- Amrieshwar Kumar as Child Actor in School.
- Sumona Chakravarti as Neha (Child Actor in School)
- Sanjay Goradia as Passenger on Ship
- Rani Mukerji as an item number 'Kali Nagin Ke Jaisi Zulfain'
Box office[edit]
The film was an average grosser at the box office.[4]
Soundtrack[edit]
The music for the movie was composed by the composer duo Sanjeev Darshan, while the lyrics were by Sameer. The songs were very popular among the masses. It remains the third selling soundtrack of the year 1999. The songs like 'Nasha Yeh Pyar Ka', 'Khushiyon Aur Gham' and 'Chaaha Hai Tujhko' were chartbusters. Most of the songs were copied from other singer's songs without crediting them. The song 'Nasha Yeh Pyar Ka' is based on the melody of the Italian song 'L'Italiano' by Toto Cutugno, 'Tinak Tin Tana' is lifted from 'Yang Sedang Sedang Saja' by Malaysian singer Iwan, 'Chaha Hai Tujhko' is based on the Tamil song 'Edho Oru Paatu' from Unnidathil Ennai Koduthen (1998), 'Khushiyan Aur Gham' was lifted from 'Come Vorrei' by the Italian pop group Ricchi & Poveri, and 'Kali Nagin Ke Jaisi' was lifted from 'Ya Rayah' by Algerian singer Rachid Taha. The first 40 seconds of 'Kehna Hai Tumse' were lifted from the song 'Liquid' by Jars of Clay but rest of the song is original.[5]
Track listing[edit]
# | Title | Singer(s) | Note(s) |
---|---|---|---|
1 | 'Chaha Hai Tujhko' | Udit Narayan, Anuradha Paudwal | Lifted from the song 'Edho Oru Paatu' from Unnidathil Ennai Koduthen and Tera Mera Pyaar Amar (1998) |
2 | 'Dance Music' | Instrumental | |
3 | 'Kehna Hai Tumse' | Udit Narayan, Hema Sardesai | The first 40 seconds were lifted from 'Liquid' by Jars of Clay (1995) |
4 | 'Kali Nagin Ke Jaisi' | Udit Narayan, Kavita Krishnamurthy | Composition from song 'Ya Rayah' by Algerian singer Rachid Taha (1997). |
5 | 'Khushiyan Aur Gham' | Udit Narayan, Anuradha Paudwal | Lifted from song 'Come Vorrei' by Italian pop group Ricchi & Poveri (1981) |
6 | 'Kyon Chhupate Ho' | Udit Narayan, Anuradha Paudwal | |
7 | 'Mera Mann Kyon Tumhe Chahe' | Udit Narayan, Alka Yagnik | |
8 | 'Nasha Yeh Pyar Ka' | Udit Narayan | Composition from the 1983 Italian pop song 'L'Italiano' by Toto Cutugno. |
9 | 'Tinak Tin Tana' | Udit Narayan, Alka Yagnik | Lifted from song 'Yang Sedang Sedang Saja' by Malaysian singer Iwan |
10 | 'Tumhare Baghair Jeena Kya' (Dialogue) | Aamir Khan | Dialogue |
References[edit]
- ^https://www.boxofficeindia.com/movie.php?movieid=2389
- ^https://www.boxofficeindia.com/movie.php?movieid=2389
- ^Listed in the opening credits as Shama Gesawat.
- ^https://www.boxofficeindia.com/movie.php?movieid=2389
- ^Srinivasan, Karthik (25 September 2018). 'How 6 Out Of 8 Songs In A 90s Aamir Khan Film Were Lifted From World Music'. Film Companion. Archived from the original on 25 September 2018. Retrieved 25 September 2018.
External links[edit]
- Mann on IMDb
Barsaat (1949)
Tragic love story Barsaat (Rain) was 25-year-old actor Raj Kapoor's first hit as a director and launched Bollywood's greatest playback singer Lata 'Nightingale of India' Mangeshkar (who went on to record thousands of film songs over a career spanning seven decades and counting). Kapoor may have made finer films (Awaara, Shree 420), but Barsaat's songs (marking the debut of music directors, Shankar Jaikishan) of vulnerability, innocence and heartache, captured newly independent India's fragile imagination. Many consider Barsaat to have the greatest film songs of all time.
Pakeezah (1972)
Pakeezah (Pure) is the story of a courtesan, or a wronged woman with a good heart, in the Mughal era. Lata is on playback duties for heroine Meena Kumari (who died just after its release) and the combination of real-life tragedy and magical songs distilling dignified suffering and sadness ensured the film's cult status. Pakeezah brings together north Indian classical music and image-rich Urdu poetry and symbolises the importance of Indo-Islamic culture in North India – which is largely invisible in Bollywood now.
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Sholay (1975)
Sholay is Bollywood's Star Wars: the masala western is a tale of revenge and lovable rogues resisting bandits. RD Burman penned rip-roaring, sing-a-long tunes including bromance belter Yeh Dosti and Jab Tak Hai Jaan, which soundtracks a scene where the heroine must keep dancing or her beloved gets it from ultimate villain Gabbar Singh. Its eerie incidental music evokes Ennio Morricone and Sergio Leone's spaghetti westerns but don't feature on the official soundtrack release, so watching Sholay is the only way to appreciate its musical majesty.
Kabhi Kabhie (1976)
Alongside 1981's Silsila, this film established director Yash Chopra as the 'king of romance'. Playback singers Lata Mangeshkar, Kishore Kumar and Mukesh's heart-tugging melodies (composed by Khayyam) chart soaring young love, crushing heartbreak and stoicism in the face of family duty. Kabhi Kabhie and Silsila represent the pinnacle of the golden era of playback singers, though choosing which is the best soundtrack remains an unresolved debate. Indian video shops in 1980s Britain did a brisk trade in VHS tapes featuring the songs from these two films.
Don (1978)
The ultimate masala movie in which angry-young-man-era Amitabh Bhachan is a mafia 'Don'. Its forward fashion (Guys: flares, wide collars, unbuttoned shirts. Girls: maxi dresses, headdresses, thick eye-kohl), and Kalyanji and Anandji's funk-fuelled, acid-dipped soundtrack means Don's arguably the most eye-and-ear-catching film of its day. Indeed Kalyanji and Anandji's sinuous arrangements and use of session musicians makes this soundtrack a psychedelic-funk masterpiece – so much so that hip-hop luminaries Dan the Automator, DJ Shadow and Madlib are fanboys.
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Disco Dancer (1982)
The definition of 'cool kitsch', as street kid Jimmy triumphs against the odds and becomes a disco dancing champion. Gta vice city apk crack download free. This soundtrack earned flamboyant musical director Bappi Lahiri the sobriquet 'Bollywood's king of disco' and rightly so: he sprinkles flute, harmonium, strings and Hindi lyrics over dazzling, pulsing synthesisers. The soundtrack's analogue warmth and glossiness is spellbinding, with MIA sampling its hit song (Jimmy Ajaa) in 2007.
Dilwale Dulhania Le Jayenge (1995)
Director Aditya Chopra followed in his father's (Yash Raj, see Kabhi Kabhie above) footsteps with a sentimental romance starring wildly successful saccharine duo Shah Rukh Khan (SRK) and Kajol. Yet again, Lata plucks heartstrings with support from younger sister Asha Bohsle (immortalised in Cornershop's 1997 hit Brimful of Asha): Mehendi Laga Ke Rakhna is a firm favourite at North Indian weddings while Tujhe Dheka To Yeh Jaana Sanam (When I Saw You I Fell Madly in Love), has surely soundtracked millions of clandestine teenage romances in India.
Taal (1999)
A distinctly average film starring doe-eyed face of L'Oréal, Aishwarya Rai, Taal lives on in the movie memory thanks to AR Rahman's scintillating score. With lyrics by the poet Anand Bakshi and Rahman's astounding compositional grace and versatility (folk, bhangra, ballads, electronic), it proved an inspired partnership. Filmic folklore contends Rahman's crossover to the west began with Andrew Lloyd Webber hearing this soundtrack and promptly flying the Tamil Muslim to London to write Bombay Dreams (2004).
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Kal Ha No Ho (2003)
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Another SRK blockbuster, this New York romcom has a hip, outernational soundtrack (by musicians turned musical directors Shankar-Ehsaan-Loy). Maahi Ve features a DJ, chunky bass, muscular bhangra and gorgeous melodies, and is another North Indian wedding staple. It's The Time to Disco's Hi-NRG trance is further evidence of Bollywood devouring Western trends, while the gentle title track ensured aunties and uncles could sing along.
Gangs of Wasseypur (2011)
This small-town gangster epic set in northeast India has a soundtrack like no other: bawdy Bhojpuri ditties and women's folk songs covering lusty liaisons and good-for-nothing-men, complement the film's blood-and-guts earthiness. Meanwhile the Indo-patois of I'm a Hunter (chorus: 'She wants to see my gun') and the nursery-rhyme dancehall of Tain To To are refreshing and utterly bonkers. Take a bow, Sneha Khanwalkar. She has just turned 30 and is among a handful of female musical directors in Indian cinema.
• Which soundtracks have we missed out? Why not tell us in the comments below?
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